04 January 2013

we have got a new baby.

four pictures for first 48 hours of Duduy's life. 


and finally he is out!
January 2, 2013, 9:43 am
first 30 minutes outside the tummy. from tummy and immediately to me. 


post-first bath. 24 hours outside tummy.
labor was fact. i was already 3 cm when i went to the hospital, 3:30 am.
then they wheleed me to the labor room at 5:30 am when i was around 5 cm.

Manong meeting the baby Duduy the first time. 

on January 3, Manong Gogol went back to Iloilo to meet the new brother.
he started patting the head. thought it was the best thing that can put this little thing easily back to sleep. just like that. how big the gogol is. how small the duduy is. the comparative scale is incredulous.


and his first day home.


and he is adorable just like that. 

05 December 2012

Photos: Abandoned Architecture

I got a good deal on negative scanning from the local film processing shop that's been my favorite of the late. I discontinued having my films processed at the other shop (the one that gives free pro-image for every processing and contact printing job ordered) upon my discovery of another kodak shop that sells kodak pro-image in boxes of fives (at PhP 80.00 each roll--roughly $1.50).

With the option of cheap scanning i had my 20 rolls of negatives digitally scanned. I was charged PhP70.00 for burning fee of everything, and i think some PHP10.00 for scanning of each roll of negative.

With my 19-month worth of pictures digitally converted i was able to make a sort of collection of my small projects, one of them is the collection of pictures on abandoned architecture all over Iloilo City. They're not much as i'm still a little apprehensive about trespassing in these abandoned spaces.

Keith discovered a blog of an urban ex named bradley garret who built his post-grad academic life around this terrific project:
http://www.bradleygarrett.com/blog/

and the link to the blog he dedicated to place hacking: http://www.placehacking.co.uk/

(given my inexperience, i'll still admit urban exploration will be very difficult with film cameras but who knows.)
someday, i'll do this, too.


and to the pictures:





















FIN.

27 October 2012

photo post in digital.

Kid left for vacation today and he'll be gone for a little more than a week.
on the list: take, process, drool over photos.

but before anything, random pictures from the digital camera.













Keith and I haven't been back to the regular sessions of our art class since May. I started getting really busy in May then was again absent for 2 weekends (in about 3 weeks duration) on a work-related trip to Canada. In july, work on the Studio Practice were at its height and our art teacher also got busy with his upcoming exhibits in places outside Iloilo but while I was absent though, art teacher and Keith met regularly to check on the progress of Studio Practice. At this time, the studio is almost done (art teacher had tried camping inside, actually). The last i visited the place in a month ago, the slabs are done and it only needed installation of the plywood at one section of the wall (i'm terrible at directions--have no idea if it's north, south, east or west wall). we're still thinking of leaving it "open" for the light but Iloilo is gets very wet sometimes and we don't want to compromise the previous works inside. for the updates, the gallery owner Rock Drilon has visited Studio Practice, art teacher informed. and because of that he's really pumped to start on with the installation/architectural project for the indigenous people of central panay. He and Keith might visit the uplands next month and it's too bad by then it'd be very impossible for me to be going with them. 

At this point, i think i'm done with the kindergarten level of art class but i'm not yet sure if i'm ready to do something a notch higher. The project (the dayjob) i'm currently engaged in is ending in March 2013 and after that i'm not really sure what will happen. We're expected to close office in June 2013, but there were some "good news" that we might extend a little for a few more months (due to our overperformance--and that is probably true) and the low burn rate of our colleagues in the opposite part of the world. Then there are other potential engagements in line, not final but when it becomes, there is a possibility that i'd have to relocate to the south. I'm still haven't thought much about the relocation part but is excited of working in other cities. 

what i really do want now is go back to taking pictures and learn to use the full potential of my 35mm. i have been reading through posts of film photographers (thomas locke hobbes has been very inspiring) and i'm very much willing to learn the technicalities of (film) photography if i see a chance. Keith has also invited me to bike across Panay as soon as the new baby learned to walk (the new baby i have yet to give birth to in January). but before that, i have yet to purchase a bike. I'm thinking of getting an urban bike (99% of the time i'll be using it for commuting to work and for grocery shopping--and going around with the kids if i do find a good kids trailer) but if i do take Keith's invitation, i might just as well scrap the idea of an urban bike and get a good road or mountain bike instead (that will be a lot pricier though).

So while i wait to spill this big bean out of my belly, everything's planned ahead: the bike, the self-teaching in using my 35 mm. (and maybe finish what i've been writing and decide on the concepts for the exhibit that art teacher has been prodding us).





04 October 2012

list of putograpers


1. http://www.julianroeder.com/workdetail/THE+SUMMITS/18
2. http://www.taylorglennphoto.com
3. http://www.christopherchurchill.com/
4. http://www.thomaslockehobbs.com/ - american photographer in argentina. uses medium format range and others. basta film.has a great blog: http://thomaslockehobbs.wordpress.com/
makes me wanna go to argentina. patagonia. somewhere latin.
5. Mariano Brizzola, flicker: http://www.flickr.com/photos/marianomio/ - 35 mm guy.
6. Luis Carlos Towar: fine art of photography, hisamuch: http://luiscarlostovar.com/
7. Adrian portugal: http://www.supayfotos.com/ingles/adrian.html, from Peru.
8. Alejandro cartagena:  http://www.alejandrocartagena.blogspot.com, his blog and this, his photo site: http://alejandrocartagena.com/
9.

27 September 2012

housing muse

excuse me while i endlessly talk about housing.

yesterday there was a very violent demolition in Metro Manila. it was the first thing i saw on TV when i checked for local news this morning, dismissing it as something that concerns, yes, GUATEMALA of latin america.

while alejandro aravena (via elemental) busied himself with designing houses for the poor in Monterrey, Mexico, our experts here are busy copying shirt designs from other more famous blogging architects (thinking wearing architecture shirts is equal to bragging rights), and copying "modern" housing design for rich, OFW clients.

Photo by Ramiro Ramirez. Accessed from here.

(incidentally, my favorite latin american architect shares the same first name with my latest favorite latin american urban landscape photographer. he has a project that document empty, abandoned urban spaces, abandoned architecture. someday, Iloilo, someday)

Today, i came across Cartagena's Landscape as Bureaucracy project, a sort of documentary, in his own words, "exploration of the underlying structures surrounding the dream of owning a house in xxi century Mexico." the blogpost is entitled Living in Subrbia. and suddenly i don't feel very alone in my (inner) battle against suburban living.

(I first read about him in a Domus Magazine feature about his Carpoolers project, while reading through resources on urban bike commuting. I was also forwarded by this amazing project of Diane Meyer about carless people in LA. it's published online.

It has always been easy talking about these issues because i am conveniently afforded with a partner who, worked in the same field, and who also advocates for social and urban justice. I don't mean easy = always agreeing, but it was always nice to argue with people who look at things at your level, or at the very least, argue objectively. This past months, the conversations at home revolved around urban commuting. My husband is supervising a 7-million peso worth of residential building in the suburbs. There is no public transport to that place and we don't have a car. "Tomorrow, I will get a bike," he said.

It's easy talking about this to my immediate family, but it remains a little off to my parents. The fact that I am paying rent for a house that shelters eight people is considered a wasteful habit because i could have used the money to pay off the mortgage for a house in the subdivision. I've said it before that getting a house is not as easy as ABC because i do not have a large sum of money to pay off the downpayment. What disappoints me (a little, just a little) is that it seems both my parents still romanticize the idea of suburban/subdivision living. I can't really blame them. Their productive years were the golden age of "subdivision", gated communities, homeowners association, and I think i know now how it feels to actually see something materialize. I remember feeling poor because my chidlhood address did not contain details like phase number, block number, lot number. In fact, remembering it now, our house address lacked any identifying numbers, to begin with. It was just identified by our surname. I don't blame them, my father especially. (somehow disappointments have its favoritism and this time it favors my father.)  He knows social justice but if he can afford a house inside a gated community, he will go for it. He's done it, actually. Sad to say, the city where that property is located has turned into one of the most dense, most unlivable cities in the country. You get out of the subdivision gates, you die, because outside, it's practically a free way. The frustrating part is, my father (and my mother, and many other people) does not see it that way. Mobility for him is always an issue of car ownership. It doesn't matter if you live in a place that does not promote walkability -- who said you have to walk to your destination? Buy a car, problem solved. But if walking can never be one's option to get from point A to B, i don't see the point in staying. And also because suburban living has long failed in materializing the dream--or at least that's what the people in develop countries think. Many Filipinos still root for it--single detached freestanding houses with lawns and carports for the SUVs, or a family car, if you may. While the develop countries are now rethinking of ways to redevelop suburbia into a more transit-oriented community, we are still wallowing the the perceived novelty of living within the safe walls of subdivisions. (is it ever possible for Filipinos to at least get hold of new ideas on time, and not a century later?)

before i get misconstrued, walking from Point A--one's suburban house to point B--the pool or the strip mall in the village complex does not constitute walkability to me.

In a way, I could say that our distorted thoughts were a major driving force that has kept us (my husband and I) from really going for IT; from getting that pigeon hole in the suburbs. Partly also because, i am resistant to having a go at it, and i feel that I do not deserve the harassment that is inevitable in the process of acquiring a house. in the suburbs. In a way, it is our fault because we are so willing to be part of our own experiment, to learn by living. We want to learn about the city, we live in the city. We're secret masochists. Or maybe because we're after branding ourselves urbanites--the lure of "sophistication", the snobbery of the brand. urbanite. Maybe we are. Maybe I am.

I honestly don't mind living in city tenements if they are designed to be something very livable and do not repeat the failure of the Projects. As introvert and as private as i may be, I really don't mind. In fact, while i was sought for opinion by my husband when he worked in his first ever (and hopefully not the only) social housing/development design  competition entry, all of what i gave were opinions based on what and how i imagined myself living in one of those socialized housing. Many designers only imagine themselves living in suburban smart mansions with big lawns. This is where the failure of the design profession begins. I don't think i have to explain my point. Every one can always argue that it is never the obligation of designers to provide social justice. But tell me, how many designers can actually afford to live in suburban smart mansions with manicured lawns?

Here's the scan of "Suburban Flop"  and a screen grab from Anonymous Philippines, just in time for the action in Occupy Spain because i don;t know anything better to end this post if not with this.