by aaron cometbus
SHE KISSES WITH HER MOUTH OPEN. SHE DOESN'T WEAR UNDERWEAR. ON YOUR FIRST DATE TOGETHER YOU BOTH GET SCARS. ON YOUR SECOND DATE, YOU MAKE OUT IN THE PARK. ON YOUR THIRD DATE WHEN SHE SAYS ITS NOT NORMALLY LIKE THIS, IT'S A COMPLIMENT. BUT THINGS ARE AWKWARD AFTER THAT, SO YOU GIVE HER A CHANCE TO DUMP YOU NICELY. YOU ASK IF SHE WANTS YOU TO STOP CHASING HER. TO YOUR SURPRISE, SHE SAYS NO. YOU PICK
SHE IS THE BEST THING THAT' HAPPENED ALL YEAR. SHE GETS YOU DRUNK IN HER BED AND YOU ARE IN HEAVEN. WHEN YOU'VE GOT YOUR HEADS PRESSED TOGETHER, SHE DOESN'T LOOK LIKE A BLURRY ONE-EYED MONSTER LIKE EVERYONE ELSE DOES THAT CLOSE. YOU BLINK AND SHE DOESN'T SUDDENLY APPEAR TO BE YOUR TENTH GRADE ENGLISH TEACHER OR YOUR SISTER OR YOUR WORST NIGHTMARE, LIKE EVERYONE ELSE DOES. YOU BLINK AND SHE LOOKS LIOKE A MOVIE STAR.YOU BLINK AND SHE LOOKS LIKE YOUR SECRET CRUSH. YOU BLINK AND SHE LOOKS LIKE AN OLD FRIEND, THEN LIKE A RAD GIRL YOU SAW ONLY ONCE YEARS BEFORE. SHE LOOKS LIKE EVERYONE YOU'VE EVER WANTED TO BE IN BED WITH, AND ITS GETTING WEIRD, AND YOU CAN'T EXPLAIN WHY YOU KEEP BLINKING AND STARING AT HER. SHE FALLS ASLEEP BEFORE YOU, AND SHE GETS SO FUCKING BEAUTIFUL SLEEPING, SHE IS RADIANT. SHE IS DIFFERENT IN THE MORNING THOUGH. SHE HAS CHANGED HER MIND AND YOU HAVE TO FIND ANOTHER PLACE TO STAY. YOU HAVE FAILED HER TEST. SHE ADDS INSULT TO INJURY BY TRYING TO SET YOU UP WITH HER FRIEND. SHE MAKES PLANS TO SEE YOU THE NIGHT BEFORE YOU LEAVE ON A LONG TRIP. SHE DOESN'T SHOW UP AND DOESN'T CALL. YOU REMEMBER WHEN SHE SAID SHE WAS FROM HELL AND WOULD RUIN YOUR LIFE, AND YOU'D THOUGHT SHE WAS JOKING.
SHE CAPTURES YOUR ATTENTION AND YOUR IMAGINATION AND THEN YOUR HEART. SHE TELLS YOU ABOUT LIVING IN A BUS STATION WHEN SHE WAS FOURTEEN. SHE TELLS YOU ABOUT DOING SO MANY DIFFERENT THINGS IN SO MANY DIFFERENT PLACES THAT SHE'S EITHER FOURTY YEARS OLD OR SHE'S ONE HELL OF A LIAR. SHE IS ONLY 23. SHE LIVES IN A CLOSET. DOWN ON THE WATERFRONT, SHE TEACHES YOU HOW TO USE OIL PAINTS, THE DARK COLORS FIRST. SHE DIGS THE VEGETABLES OUT OF THE DUMPSTER AND TOSSES THEM OVER THE FENCE TO YOU. SHE FINDS CLOTHES BUT THEY'RE TOO NEW AND UNCOMFORTABLE, SO YOU BOTH PUT THEM ON AND GO DRAGGING EACH OTHER AROUND TOWN, THROWING EACH OTHER IN PUDDLES, WRESTLING EACH OTHER IN THE DIRT. THEN THE CLOTHES ARE FIVE SIZES BIGGER AND WORN IN JUST RIGHT. SHE STARTS HANGING OUT WITH YOUR WORST ENEMY, BUT SAYS IT'S NOT LIKE THAT. YOU SAY IT IS OR AT LEAST IT'S GOING TO BE AND SHE COULD'VE AT LEAST GIVEN YOU A MONTH HEADSTART TO RUN LIKE HELL. SHE SAYS ITS NOT LIKE THAT. THREE DAYS LATER, IT IS LIKE THAT, AND SHE SAYS ITS YOUR FAULT. SHE LEAVES ON AN AIRPLANE WITH YOUR WORST ENEMY. IT WOULD BE NICE TO BE HOME WITH BOTH OF THEM OUT OF YOUR WAY, BUT YOU'RE ALSO LEAVING THAT DAY, FIVE HOURS LATER, ON AN AIRPLANE HEADING IN THE SAME DIRECTION. ON THE AIRPLANE RADIO, HER SONG COMES OUT.
SHE IS THE LAST GIRL IN THE WORLD YOU SHOULD EVER FALL INLOVE WITH, BUT IT'S TOO LATE. SHE TELLS YOU SHE LOVES YOU, THEN IN THE MORNING SAYS SHE WAS ON DRUGS AND DIDN'T MEAN IT. SHE TAKES THE PRESENTS YOU GIVE HER AND GIVES THEM TO OTHER GIRLS WHO SHE SAYS LIKE YOU MORE. SHE TAKES THE LIST OF YOUR WORST FEARS AND USES IT AS A CHECKLIST, MAKING THEM HAPPEN ONE BY ONE. YOU LOSE, AND THEN YOU LOSE HER TOO, AND LOSING HER FEELS LIKE HAVING EVERY GIRL IN THE WORLD AND THEN LOSING THEM ALL. SHE BRINGS YOU TO LIFE AND THEN BRINGS YOU TO DEATH. SHE SAYS THAT AS LONG AS YOU LOVE HER AND SHE LOVES YOU, ALL THE SHIT THAT'S HAPPENED DOESN'T REALLY MATTER. UNFORTUNATELY, IT DOES MATTER TO YOU.
and fritz robert balgos, if you get to read this, give me back by cometbus issues!!!!!!!
won't ask me to stop; she'll just get physical. she said she'll hit my hands with a stick. 
